.
Artist……….: Namito
Album………..: Eleven
Genre………..: Electronic
Label………..: Kling Klong
Catnr………..: KLINGCD002
Source……….: CDDA
Rip.Date……..: 23-07-2010
Street.Date…..: 19-10-2009
Quality………: VBR/44.1kHz/Joint Stereo
Url………….: http://www.amazon.co.uk/Eleven-Namito/dp/B0027GZNRA
Size…………: 97.22MB
Song.Title
01. Zizou Intro 1:37
02. The Curse 6:44
03. Minou 7:17
04. Heat 5:51
05. Seven Hours 7:47
06. Pura Vida 5:30
07. Zorro 7:06
08. Train To Tehran 5:51
09. Who Knows 6:16
10. Seven Lives 9:06
11. Sternchen 16:05
Runtime: 79:11 min
Release.Info
Combine the knowledge of Babylonia, Pythagoras, astrological philosophy from
Hellenistic Alexandria, early Christian mysticism, the occultism of the early
Gnostics, the Hebrew system of the Kabbalah, The Indian Vedas, the Chinese
"Circle of the Dead", and the Egyptian "Book of the Master of the Secret
House", and youre still not even close to cracking the genetic code of
Eleven, Namitos first ever longplayer released on Martin Eyerers Kling
Klong label
The number 11, often associated with the life path of a person, is of very
special significance for Namito, a genuinely creative person. Those who dive
into the magic creases of the eleven tracks gathered on Eleven
story-telling, handcrafted music as colorful as a hand-woven Persian carpet
quickly find out why this number plays such a significant role in Namitos
life. I always knew that the number was of special importance for me. When I
arrived in Germany, I found out that I was actually born in November, recalls
Namito
His dad — with a sharpened bamboo stick he painted only one word: Allah
was a calligrapher so gifted he got appointed by the highest royalties. Namito
takes the eminent artistry running in his family to the next level: In the
early nineties, he, a teenager whod escape the watchful eyes of his uncle in
whose custody the young Iranian grew up after leaving behind his native Tehran,
laid the foundation of what was to become one of the planets most fertile
playgrounds of the electronic music scene
The DJ and producer, one of the Zen masters of the emerging Berlin scene, honed
his skills DJing at the legendary Bagwan disco on Kudamm while living and
breathing music in his commune during the Nineties, and started coming forward
with his own productions after inheriting an entire studio from a Krautrock
legend. One of the many lucky coincidences that make Namitos life story such
an outstanding one. And his music so rich
Eleven has it all: the deepness of late night grooves combined with the
audiophile finesse that makes Namitos productions so tight and crisp. A very
laidback attitude and a lot of knowledge and feeling combined with a lot of
imagination equal a massive ride that never sounds worn out or prefabricated
The opener Zizou is setting the pace a sound search that wakes the spirits
and vitalizes the senses. Shaky bass quakes layered with squirming synths
recall the greatest moments of all times. Sassily fading in: the racy Curse,
a curse indeed for those who were planning to leave the club. Its virtually
impossible
Shimmering like the patina of a city far far below — like a ride on a magic
carpet woven out of trancey pads – is Seven Hours. A long-lasting mind trip
that takes you to higher levels. Train 2 Tehran works on a similar level but
aims much lower, way below the belt. Deep and stomping, this train cannot be
stopped it is like a conquest of a paradise lost and found
Who Knows raises a lot of questions and gives answers in the same moment — a
cathartic release through hair raising bass drums. Seven Lives, produced with
best amigo Martin Eyerer who is also half way responsible for Namitos
ambitious re-birth as one of Germanys most talented producers, and Stephan
Hinz, is one of the most accomplished tracks on the album. Slowly building up,
the utterly compelling groove grips you by the intestines and turns you inside
out while the sparkly synths tickle your sub consciousness before the track
breaks down and creates a funky mayhem. Excellent stuff. The album culminates
in a deep excursion of thoughtfulness, exploring the outer realms of sound
experimentation — the perfect end
After thirteen years of producing electronic music, beams Namito, I can
finally proudly admit that I have found what one could call my trademark
style: As Namito, I sound very underground and clubby with an edge, and I am
not willing to budge. Right on: The music within Namito honors the music
within you
Contact : crossfaderhush.ai
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